Greil Marcus’ webpages recently uploaded his introduction to Cohn’s AWopBopALooBopLopBamBoom (aka Pop From the Beginning) that hitherto had only been available in a 1999 French edition. It should have been included in all subsequent editions, and in any yet to come . . .
Reading, you can at any time feel as if you’ve slipped out of this book and into Treasure Island, out of the late twentieth century and into the eighteenth—here managers are pirates and singers are cutthroats, beggars, and whores impersonating aristocrats when they’re not nice middle-class people impersonating cutthroats, beggars and whores. Business is plunder when it isn’t pedophilia; art is appetite when it isn’t a decent way to kill time. The result is not a diminution of the pop romance but, really, its literary invention. As Cohn moves his story through the years, a sense of loss and corruption takes over: the corruption in which predictability replaces ignorance, expectation replaces chance, a forty-year career replaces saying your piece and disappearing whence you came, craft replaces inspiration, and rationality replaces stupidity. Even before Cohn gets to 1966, the golden days always seem somewhere back over that last hill. And, as this book ends, it was all over more than a quarter century ago.
click here to read the introduction in its entirety.